Photos from surveillance cameras stationed in empty spaces become eerie photographs; the search for miracle elixirs and potions had predated the election; Andres Gonzales photographs schools after gun shootings.
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Explore Filmistan, the film production company that is also a village in Mumbai; read an interview with Katerina Gregos, the curator behind the world’s first contemporary art biennial in Riga, Latvia; how can crime fiction be progressive?
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Male cast members of Arrested Development defend co-star Jeffrey Tambor's abusive behavior in a disturbing interview; the GDPR goes into effect in the EU, affecting artists who rely on private data; and we celebrate Philip Roth's life and career in memoriam.
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We are proud to present the release of our latest issue in tandem with "another thing that love is not," an art show by Samantha Wendel.
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Artists Eric Manche and Sara Vanderbeek are helping turn the tide on Austin’s recent wave of gallery closures. They’ve turned their home studio into a gallery.
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Congratulations to the nominees of the 2017-18 Austin Critics Table Awards!
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Sand dunes can sing, and an artist in Amsterdam named Lotte Geeven is making music out of this terrestrial phenomenon.
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fields and the The New Writers Project at UT Austin present an evening with Kaveh Akbar, author of Calling a Wolf a Wolf.
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In a harrowing and powerful essay, author Junot Díaz revealed this week that he was a childhood victim of rape.
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Last Wednesday, Congress released their FY2018 spending bill, and in a surprise twist, they allocated an increase in funding for both the NEA and NEH.
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SXSW is upon us, which means rappers can actually be found in Austin. Described as “the only time of the year you’ll see a rapper perform on the yuppie enclave of Rainey Street,” much of SXSW’s star power this year comes from its rap lineups.
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Los Angelenos are in for a treat, as Olafur Eliasson’s new installation, Reality projector, opened this month at the Marciano Art Foundation.
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