Photos from surveillance cameras stationed in empty spaces become eerie photographs; the search for miracle elixirs and potions had predated the election; Andres Gonzales photographs schools after gun shootings.
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Explore Filmistan, the film production company that is also a village in Mumbai; read an interview with Katerina Gregos, the curator behind the world’s first contemporary art biennial in Riga, Latvia; how can crime fiction be progressive?
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Male cast members of Arrested Development defend co-star Jeffrey Tambor's abusive behavior in a disturbing interview; the GDPR goes into effect in the EU, affecting artists who rely on private data; and we celebrate Philip Roth's life and career in memoriam.
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Congratulations to the nominees of the 2017-18 Austin Critics Table Awards!
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Sand dunes can sing, and an artist in Amsterdam named Lotte Geeven is making music out of this terrestrial phenomenon.
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In a harrowing and powerful essay, author Junot Díaz revealed this week that he was a childhood victim of rape.
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In many galleries, you may come across pieces that bend the line between craft and art, specifically pieces that include fabric and decoration.
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Last Wednesday, Congress released their FY2018 spending bill, and in a surprise twist, they allocated an increase in funding for both the NEA and NEH.
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SXSW is upon us, which means rappers can actually be found in Austin. Described as “the only time of the year you’ll see a rapper perform on the yuppie enclave of Rainey Street,” much of SXSW’s star power this year comes from its rap lineups.
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Los Angelenos are in for a treat, as Olafur Eliasson’s new installation, Reality projector, opened this month at the Marciano Art Foundation.
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Artist Judy Chicago, creator of The Dinner Party, widely considered the first landmark piece of feminist artwork (on permanent display at the Brooklyn Museum), discusses toxic masculinity in the context of her series PowerPlay.
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